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|Author||: Diana L. Eck|
|Editor||: Motilal Banarsidass Publishe|
The experience of the divine in India merges the three components of sight, performance, and sound. This book is about the power and importance of seeing in the Hindu religious tradition. In the Hindu view, not only must the gods keep their eyes open, but so must we, in order to make contact with them, to reap their blessings, and to know their secrets. When Hindus go to temple, their eyes meet the powerful, eternal gaze of the eyes of God. It is called Darsan, Seeing the divine image, and it is the single most common and significant element of Hindu worship. This book explores what darsan means. This is also a book about the divine image in the Hindu tradition. What do Hindus see in the images of the gods? What is meant by these multi-armed gods, with their various weapons, emblems, and animals? How are these images made and consecreted? How are they treated in a ritual context? In exploring the nature of the divine image, this book not only considers the images of the gods, but also the Hindu temple and the Hindu place of pilgrimage.
|Author||: A. F. Salahuddin Ahmed|
|Editor||: Brill Archive|
|Author||: Reginald A. Ray|
|Editor||: Oxford University Press|
The issue of saints is a difficult and complicated problem in Buddhology. In this magisterial work, Ray offers the first comprehensive examination of the figure of the Buddhist saint in a wide range of Indian Buddhist evidence. Drawing on an extensive variety of sources, Ray seeks to identify the "classical type" of the Buddhist saint, as it provides the presupposition for, and informs, the different major Buddhist saintly types and subtypes. Discussing the nature, dynamics, and history of Buddhist hagiography, he surveys the ascetic codes, conventions and traditions of Buddhist saints, and the cults both of living saints and of those who have "passed beyond." Ray traces the role of the saints in Indian Buddhist history, examining the beginnings of Buddhism and the origin of Mahayana Buddhism.
|Author||: F. Chan,A. Karpovich,X. Zhang|
Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes.
|Author||: Lavanya Vemsani Ph.D.|
Krishna is a central figure in Hinduism, a religion that has been a fundamental force for thousands of years. This accessible encyclopedia covers texts, practices, scholarship, and arts related to Krishna from the earliest known sources on. • Overviews the importance of Krishna to world history • Offers topical and thematic entries illuminating classical texts and practice and modern developments inside and outside India • Covers philosophical traditions such as Advaita and vegetarianism as well as spiritual and yoga traditions and their contemporary adaptations • Includes extensive studies of followers and founders of Krishna in India and around the world • Shares geographical information regarding sacred places and places of pilgrimage
|Author||: Diana L. Eck,Professor of Indian and Sanskrit Studies and Chair of Religious Studies Diana L Eck|
|Editor||: Anima Press|
This work offers a study of the physical representations of God as the central feature of Hinduism. Each of the essays explores a different topic of religion in India: bhakti, popular village procession, puja rituals, spirit possession and guru cults.
|Author||: Carl Vadivella Belle|
|Editor||: Flipside Digital Content Company Inc.|
This book explores the festival of Thaipusam in terms of its own inner dynamics - the traditions and belief structures which ensure the festival's continuing relevance to Malaysian Hindus. It argues that Thaipusam reflects a growing sense of Hindu identity in Malaysia and an as yet inchoate unity. It contends that while the kavadi ritual provides profound meaning at the individual and group level, Thaipusam furnishes a public arena for and gives expression to a powerful Hindu resurgence, largely, though not exclusively, fuelled by Dravidian assertiveness. In situating the festival within the context of a Malaysia dominated by Malay and Islamic power brokers, a society in which both the Indian community and Hinduism are relegated to the margins, the book explores the festival of Thaipusam as a vehicle for mobilization of religious symbols and values which not only simultaneously articulate ethnicity and thus resist the forces which threaten cultural and religious integrity, but which also ultimately signal wider allegiances to the broader politico-cultural world of an imagined, immeasurably rich, and enduring Indo-Hindu civilization.
|Author||: Leslie D. Ross|
Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. • 200 illustrations, including floor plans of churches, synagogues, and temples bring the discussions of art and architecture to life • An extensive bibliography enables further research
|Author||: Thomas Herdin,Maria Faust,Guo-Ming Chen|
|Editor||: Nomos Verlag|
In dem Sammelband wird eine Reihe visueller Kommunikations- und Kulturstudien theoretisch und anhand interkultureller Fallstudien aus dem globalen Süden (darunter China, Indien, Kambodscha, Brasilien und Mexiko) sowie weiterer Länder wie beispielsweise Japan und Taiwan dargestellt. Die ersten Kapitel des Buches definieren visuelle Kommunikation und Kultur als Überbegriff und beschreiben den De-Westernisierungs-Diskurs als Weg, emische Forschung zu stärken. Der Globale Süden wird nicht nur als geografischer Begriff, sondern vielmehr als Kategorie von Diversität und Pluralismus betrachtet. In Fallstudien werden verschiedene emische Theorien und Methoden herangezogen, um die komplexe Anordnung der Visualität zwischen soziokulturellen und -politischen Praktiken und Institutionen zu beschreiben. Das Buch richtet sich an WissenschaftlerInnen mit Kenntnissen in visuellen Studien sowie an Forschende, Studierende und PraktikerInnen, die zum Globalen Süden und zu De-Westernisierung arbeiten. Mit Beiträgen von Jan Bajec, Sarah Corona Berkin, Ivana Beveridge, Birgit Breninger, Guo-Ming Chen, Uttaran Dutta, Maria Amália Vargas Façanha, Maria Faust, Hiroko Hara, Thomas Herdin, Thomas Kaltenbacher, Fan Liang, Xin Lu, C.S.H.N.Murthy, Ana Karina de Oliveira Nascimento, Simeona Petkova, Radmila Radojevic, Renata Wojtczak
|Author||: Vineeta Sinha|
Sustaining a Hindu universe at an everyday life level requires an extraordinary range of religious specialists and ritual paraphernalia. At the level of practice, devotional Hinduism is an embodied religion and grounded in a materiality, that makes the presence of specific physical objects (which when used in worship also carry immense ritual and symbolic load) an indispensable part of its religious practices. Traditionally, both services and objects required for worship were provided and produced by occupational communities. The almost sacred connection between caste groups and occupation/profession has been clearly severed in many diasporic locations, but importantly in India itself. As such, skills and expertise required for producing an array of physical objects in order to support Hindu worship have been taken over by clusters of individuals with no traditional, historical connection with caste-related knowledge. Both the transference and disconnect just noted have been crucial for the ultimate commodification of objects used in the act of Hindu worship, and the emergence of an analogous commercial industry as a result. These developments condense highly complex processes that need careful conceptual explication, a task that is exciting and carries enormous potential for theoretical reflections in key fields of study. Using the lens of ‘visuality’ and ‘materiality,’ Sinha offers insights into the everyday material religious lives of Hindus as they strive to sustain theistic, devotional Hinduism in diasporic locations--particularly Singapore, Malaysia, and Tamilnadu--where religious objects have become commodified.
|Author||: Charles J. Farmer|
|Editor||: University of Missouri Press|
Annotation Tucked within Missouri's borders are eight Congressionally designated Wilderness areas. These magnificent forests, scattered across the southern portion of the state, combine a wide variety of unique ecosystems. InUnspoiled Beauty, Charles Farmer captures the essence of the Missouri Wilderness experience, allowing even those who have never set foot in the wilderness to enjoy its wonders and appreciate its importance.Farmer begins by describing the wilderness region prior to the Congressional Wilderness designation, providing an overview of the numerous battles that were waged to reclaim the state's wilderness and to assure its preservation. Featured are key players who were instrumental in the acquisition and preservation of Missouri wilderness.Farmer devotes a chapter to each of the eight Wilderness areas, accompanied by numerous engaging photographs, many in color. He provides a brief history of each and shares his own fascinating personal experiences of camping, hiking, backpacking, hunting, and fishing within each. He discusses trails, fauna, flora, and other colorful details along the way. His adventures take place during different seasons of the year; he is sometimes alone, sometimes in company. Through his eyes, each area is brought vividly to life."Wilderness Tips" and a guide with rules for the novice camper, hiker, backpacker, hunter, and fisherman enhance the book's usefulness. The final chapter lists the areas in Missouri that qualify for Wilderness designation in the New Forest Plan.Unspoiled Beautymay well play a part in saving Missouri's remaining wilderness candidates. It will also help other states that are preparing campaigns to save their own wilderness areas.Wilderness advocates, hikers and backpackers, fishermen and hunters, anyone who appreciates the great outdoors will enjoy this important new book
|Author||: Narayan Chaudhuri|
|Editor||: Motilal Banarsidass Publ.|
&everything that this body says or does, its actions, movements, its going hither and thither, is done for your sake. Whatever is done for you by this body at any time, it is you who cause it to happen. Shree Shree Anandamayee Ma in reply to a devotee s query This book contains miracle-laden incidents and strange little happenings depicting Shree Shree Ma Anandamayee s infinite compassion for Her children. Each narrative carries one particular message- the message of solace and compassion for Her devotees. The stories of miracles described in the volume corroborate the fact that Shree Shree Ma Aanandamayee lives solely for Her children; for helping and guiding them to become pilgrims of the supreme path- the path that leads to Self-realization and to supreme ultimate God itself. The book makes a revealing study of Mother s supernatural glory. Its appeal is irresistible not only for the devotees of the Mother but for all seekers of God realization.
|Author||: M. Whitney Kelting|
|Editor||: Oxford University Press|
While Western Jain scholarship has focused on those texts and practices favoring male participation, the Jain community itself relies heavily on lay women's participation for religious education, the performance of key rituals, and the locus of religious knowledge. In this fieldwork-based study, Whitney Kelting attempts to reconcile these women's understanding of Jainism with the religion as presented in the existing scholarship. Jain women, she shows, both accept and rewrite the idealized roles received from religious texts, practices, and social expectation, according to which female religiosity is a symbol of Jain perfection. This volume describes these women's interpretations of their religion, not as folklore or popular religion, but as a theology that recreates Jainism in a form which honors their own participation.
|Author||: Nandini Sikand|
|Editor||: Berghahn Books|
Widely believed to be the oldest Indian dance tradition, odissi has transformed over the centuries from a sacred temple ritual to a transnational genre performed—and consumed—throughout the world. Building on ethnographic research in multiple locations, this book charts the evolution of odissi dance and reveals the richness, rigor, and complexity of the form as it is practiced today. As author and dancer-choreographer Nandini Sikand shows, the story of odissi is ultimately a story of postcolonial India, one in which identity, nationalism, tradition, and neoliberal politics dramatically come together.